Photography is often concerned with the man-made landscape. In a sculptural approach to photography, the work „Edge of the Sea“ is dedicated to the non-human agents who have been creating coastal landscapes for millennia: water, wind, erosion, fossilization. By transforming the photographic surface, I intend to create artificial landscapes as a space of connection with organic and topographic structures. The image itself becomes hard to read, the sculptures invite the viewer to come closer and explore the shapes and textures with the eye.
From coral fossils on the Taiwanese island Xiao Liuqiu to the rough Atlantic coastline of Southern France, the work is rooted in various intertidal zones where the elements meet and merge to form landscapes and ecosystems.
digital prints on hemp, mulberry and bamboo paper. dimensions variable. 2024 / 2026












Photography is often concerned with the man-made landscape. In a sculptural approach to photography, the work „Edge of the Sea“ is dedicated to the non-human agents who have been creating coastal landscapes for millennia: water, wind, erosion, fossilization. By transforming the photographic surface, I intend to create artificial landscapes as a space of connection with organic and topographic structures. The image itself becomes hard to read, the sculptures invite the viewer to come closer and explore the shapes and textures with the eye.
From coral fossils on the Taiwanese island Xiao Liuqiu to the rough Atlantic coastline of Southern France, the work is rooted in various intertidal zones where the elements meet and merge to form landscapes and ecosystems.
digital prints on hemp, mulberry and bamboo paper. dimensions variable. 2024 / 2026











